Christopher Andrew presents two eye-witness accounts of the past - 500 years apart. The 15th-century letters of Margaret Paston push aside people's misconceptions about medieval women as passive objects and Harriet Walter brings to life a woman of immense strength, resourcefulness and courage. The second film provides startling testimony to a horrifying episode of post-war murder of Polish Jews, filmed secretly by a crew from the Polish trade union Solidarity. Few films from eastern Europe have raised such disturbing questions.
Name | Type | Role | |
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Emma De'ath | Director |