Original Title: The Side of Scorsese We Don't Talk About Most people know Martin Scorsese for his depictions of terrible people. But he also spends a lot of time exploring spiritual and religious themes and subject matter in his films. Are these two aspects of Scorsese's work in conflict? Or can we resolve the Sacred and the Profane in Scorsese's films and see the bigger questions that run through the heart of his entire career?