A glimpse into presidential politics in the nation's capital as it tells the stories of the members of a fictional presidential administration. These interesting characters have humor and dedication that touches the heart while the politics that they discuss touch on everyday life.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | October 2001 | October 2020 | 4 |
| Season 1 | September 1999 | May 2000 | 22 |
| Season 2 | October 2000 | May 2001 | 22 |
| Season 3 | October 2001 | May 2002 | 21 |
| Season 4 | September 2002 | May 2003 | 23 |
| Season 5 | September 2003 | May 2004 | 22 |
| Season 6 | October 2004 | April 2005 | 22 |
| Season 7 | September 2005 | May 2006 | 22 |
| Unassigned Episodes | 5 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | April 2002 | September 2012 | 2 |
| Season 1 | September 1999 | May 2000 | 22 |
| Season 2 | October 2000 | May 2001 | 22 |
| Season 3 | October 2001 | May 2002 | 22 |
| Season 4 | September 2002 | May 2003 | 22 |
| Season 5 | September 2003 | May 2004 | 22 |
| Season 6 | October 2004 | April 2005 | 22 |
| Season 7 | September 2005 | May 2006 | 22 |
| Unassigned Episodes | 7 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | September 1999 | May 2002 | 43 |
| Unassigned Episodes | 120 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Aaron Sorkin | 88 | 09/22/1999 - 05/14/2003 | |
| John Wells | 10 | 09/24/2003 - 05/14/2006 | |
| Bradley Whitford | 3 | 01/05/2005 - 01/15/2006 | |
| Jeff Reno | 1 | 11/17/1999 | |
| Jon Robin Baitz | 1 | 01/15/2003 | |
| Ron Osborn | 1 | 11/17/1999 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Alex Graves | 36 | 12/15/1999 - 03/12/2006 | |
| Christopher Misiano | 35 | 11/03/1999 - 05/14/2006 | |
| Eli Attie | 22 | 10/24/2001 - 04/16/2006 | |
| Lawrence O'Donnell Jr. | 18 | 10/13/1999 - 04/30/2006 | |
| Debora Cahn | 16 | 10/02/2002 - 05/07/2006 | |
| Thomas Schlamme | 15 | 09/22/1999 - 10/15/2020 | |
| Paul Redford | 14 | 11/10/1999 - 11/12/2003 | |
| Peter Noah | 9 | 10/22/2003 - 04/23/2006 | |
| Patrick Caddell | 8 | 10/13/1999 - 05/02/2001 | |
| Lesli Linka Glatter | 8 | 11/06/2002 - 05/07/2006 | |
| Kevin Falls | 8 | 11/01/2000 - 04/02/2003 | |
| Carol Flint | 7 | 10/08/2003 - 03/02/2005 | |
| John Sacret Young | 6 | 01/07/2004 - 03/16/2005 | |
| Laura Innes | 6 | 04/26/2000 - 03/19/2006 | |
| Josh Singer | 6 | 01/07/2004 - 03/26/2006 | |
| Mark Goffman | 6 | 10/02/2002 - 01/19/2005 | |
| Dee Dee Myers | 6 | 11/24/1999 - 04/30/2003 | |
| Vincent Misiano | 5 | 01/09/2002 - 12/01/2004 | |
| Lauren Schmidt Hissrich | 5 | 11/13/2002 - 04/02/2006 | |
| Gene Sperling | 5 | 10/24/2001 - 02/12/2003 | |
| Laura Glasser | 5 | 11/01/2000 - 03/27/2002 | |
| Allison Abner | 5 | 10/25/2000 - 11/21/2001 | |
| Andrew Bernstein | 3 | 01/19/2005 - 01/15/2006 | |
| Michael Oates Palmer | 3 | 10/16/2002 - 10/29/2003 | |
| Alexa Junge | 3 | 11/05/2003 - 03/03/2004 | |
| Jessica Yu | 3 | 02/28/2001 - 03/24/2004 | |
| Richard Schiff | 3 | 04/21/2004 - 03/02/2005 | |
| Paula Yoo | 3 | 11/13/2002 - 10/22/2003 | |
| Julie Hébert | 3 | 02/04/2004 - 11/17/2004 | |
| Peter Parnell | 3 | 04/26/2000 - 12/20/2000 | |
| Bill D'Elia | 3 | 11/24/1999 - 02/11/2004 | |
| Paris Barclay | 3 | 11/15/2000 - 10/16/2002 | |
| Ken Olin | 3 | 01/26/2000 - 10/25/2000 | |
| Jeremy Kagan | 2 | 11/08/2000 - 04/03/2002 | |
| Felicia Willson | 2 | 04/25/2001 - 11/28/2001 | |
| John David Coles | 2 | 11/27/2002 - 04/30/2003 | |
| David Gerken | 2 | 11/06/2002 - 02/12/2003 | |
| David Handelman | 2 | 11/06/2002 - 04/23/2003 | |
| Rick Cleveland | 2 | 11/17/1999 - 12/15/1999 | |
| Nelson McCormick | 2 | 03/30/2005 - 04/23/2006 | |
| Tim Matheson | 2 | 04/30/2006 | |
| William Sind | 2 | 10/16/2002 - 02/05/2003 | |
| Alan Taylor | 2 | 11/17/1999 - 02/23/2000 | |
| Robert Berlinger | 2 | 05/03/2000 - 05/09/2001 | |
| Julia Dahl | 2 | 11/14/2001 - 11/28/2001 | |
| Don Scardino | 1 | 05/10/2000 | |
| Kevin Rodney Sullivan | 1 | 01/05/2000 | |
| Rod Holcomb | 1 | 03/16/2005 | |
| Jason Ensler | 1 | 03/09/2005 | |
| Scott Winant | 1 | 01/10/2001 | |
| Michael Lehmann | 1 | 10/13/1999 | |
| Jon Hutman | 1 | 11/14/2001 | |
| Marc Buckland | 1 | 10/06/1999 | |
| Bill Johnson | 1 | 04/25/2001 | |
| Michael Engler | 1 | 02/21/2001 | |
| Paul McCrane | 1 | 01/08/2006 | |
| Llewellyn Wells | 1 | 03/03/2004 | |
| David Nutter | 1 | 01/16/2002 | |
| Lou Antonio | 1 | 01/24/2001 | |
| Nanda Chitre | 1 | 10/31/2001 | |
| Clark Johnson | 1 | 04/05/2000 | |
| Mimi Leder | 1 | 04/02/2006 | |
| Anthony Drazan | 1 | 10/20/1999 | |
| Bryan Gordon | 1 | 03/14/2001 | |
| Arlene Sanford | 1 | 01/12/2000 | |
| Matia Karrell | 1 | 03/26/2006 | |
| Max Mayer | 1 | 12/11/2005 | |
| Steve Shill | 1 | 04/16/2006 | |
| William Couturie | 1 | 04/24/2002 |
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Before it happened IRL, it happened on the small screen! FOX’s powerhouse real-time series “24” brought us the first Black president (plus the much-maligned Charles Logan), whereas ABC’s short-lived, Geena Davis-fronted drama chronicled the life of the first presidents of the United States. From “The West Wing’s” Josiah Bartlett, through “Scandal’s” Fitz Grant, to “Veep’s” Selena Meyer — these are the shows featuring the most notable fake U.S. presidents on television.
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
IGN and some of our friends have decided the best in the world of TV.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
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