Comic Garry Shandling draws upon his own talk show experiences to create the character of Larry Sanders, a paranoid, insecure host of a late night talk show. Larry, along with his obsequious TV sidekick Hank Kingsley and his fiercely protective producer Artie, allows Garry Shandling and his talented writers to look behind the scenes and to show us a convincing slice of behind the camera life.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | 56 | ||
| Season 1 | August 1992 | November 1992 | 13 |
| Season 2 | June 1993 | September 1993 | 18 |
| Season 3 | June 1994 | October 1994 | 17 |
| Season 4 | July 1995 | November 1995 | 17 |
| Season 5 | November 1996 | February 1997 | 13 |
| Season 6 | March 1998 | May 1998 | 12 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Season 1 | August 1992 | November 1992 | 13 |
| Season 2 | June 1993 | September 1993 | 17 |
| Season 3 | June 1994 | October 1994 | 17 |
| Season 4 | July 1995 | November 1995 | 17 |
| Season 5 | November 1996 | February 1997 | 13 |
| Season 6 | March 1998 | May 1998 | 11 |
| Unassigned Episodes | 58 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | 0 | ||
| Unassigned Episodes | 146 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Todd Holland | 52 | 09/05/1992 - 05/31/1998 | |
| Garry Shandling | 34 | 08/29/1992 - 05/31/1998 | |
| Peter Tolan | 27 | 08/15/1992 - 05/31/1998 | |
| John Riggi | 18 | 06/30/1993 - 02/26/1997 | |
| Paul Simms | 17 | 08/29/1992 - 10/12/1994 | |
| Maya Forbes | 17 | 10/10/1992 - 02/05/1997 | |
| Ken Kwapis | 13 | 08/15/1992 - 09/15/1993 | |
| Judd Apatow | 12 | 07/21/1993 - 05/17/1998 | |
| Alan Myerson | 7 | 08/03/1994 - 04/26/1998 | |
| Jeff Cesario | 5 | 08/09/1995 - 02/12/1997 | |
| Adam Resnick | 5 | 03/15/1998 - 05/03/1998 | |
| Michael Lehmann | 5 | 07/20/1994 - 02/19/1997 | |
| John Markus | 4 | 11/27/1996 - 12/11/1996 | |
| Kell Cahoon | 3 | 04/12/1998 - 05/10/1998 | |
| Tom Saunders | 3 | 04/12/1998 - 05/10/1998 | |
| Becky Hartman Edwards | 2 | 12/18/1996 | |
| Paul Flaherty | 1 | 09/22/1993 | |
| Eddie Ring | 1 | 10/18/1995 | |
| Dennis Erdman | 1 | 06/30/1993 | |
| Roy London | 1 | 06/09/1993 | |
| Melanie Mayron | 1 | 05/10/1998 | |
| David Mirkin | 1 | 03/22/1998 | |
| Thomas Schlamme | 1 | 03/15/1998 | |
| Michael Lange | 1 | 01/29/1997 | |
| Mark LaVine | 1 | 10/18/1995 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Drake Sather | 5 | 06/23/1993 - 09/07/1994 | |
| Chris Thompson | 4 | 09/12/1992 - 08/25/1993 | |
| Jon Vitti | 4 | 08/16/1995 - 01/15/1997 | |
| Molly Newman | 3 | 08/04/1993 - 07/20/1994 | |
| Peter Huyck | 2 | 04/19/1998 - 05/17/1998 | |
| Dennis Klein | 2 | 11/07/1992 - 03/22/1998 | |
| Steven Levitan | 2 | 07/19/1995 - 09/13/1995 | |
| Alex Gregory | 2 | 04/19/1998 - 05/17/1998 | |
| Mike Martineau | 2 | 06/29/1994 - 08/24/1994 | |
| Fred Barron | 2 | 09/19/1992 | |
| Lester Lewis | 2 | 10/25/1995 - 01/29/1997 | |
| Marjorie Gross | 1 | 10/03/1992 | |
| Peter Simms | 1 | 06/22/1994 | |
| Emily Marshall | 1 | 08/18/1993 | |
| Richard Day | 1 | 05/17/1998 | |
| Rosie Schuster | 1 | 08/29/1992 | |
| Dick Blasucci | 1 | 09/12/1992 | |
| Victor Levin | 1 | 06/23/1993 | |
| Howard Gewirtz | 1 | 09/12/1992 | |
| Joe Toplyn | 1 | 08/22/1992 | |
| Carol Leifer | 1 | 01/29/1997 |
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From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
We are what we watch-and over the last half century, we've watched some pretty fabulous TV. From Mary to Jerry, from Tonight to Today, from the sublime (Prime Suspect) to the ridiculous (Gilligan's Island), EW recalls everything you need to know about 100 shows that tell us who we are.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
Mike Wallace and a vampire slayer? Letterman and Oprah? Andy Griffith and the Sopranos? On one list? What were we thinking? Simply put, the best of the best, from Day 1 to last night: quality, innovation and the ability to stay in our lives year after year after year. A touch of sentiment? Sure, but nostalgia alone couldn’t make the cut (sorry, Beav). And TV-movies, miniseries and specials will have to wait. These are the series we watched regularly — and will watch again. And again.
IGN and some of our friends have decided the best in the world of TV.
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