This play (originally broadcast as one of the Play For Today series) concerned the story of a group of Liverpudlian tarmac layers (slang: the 'black stuff' of the title meaning 'tarmacadam'). The group are assigned a job laying tarmac on a housing development in Middlesbrough, with their hotel and meals being paid for. However, ambition and greed drives four of the six men to doing a 'foreigner': a job 'on the sly' behind their supervisor's back, laying fresh tarmac for a farmer. However, this turns out to be a catastrophic disaster, after their life's savings are drained on it but end up being swindled by two Irish gypsies. The mental anguish of the four is seen, but they and the others from the collective group are sacked by the project manager.
Shown in 1981 as a standalone between the initial drama and the subsequent series, it centres on Danny Duggan played by Peter Postlethwaite, the building boss who employs people cheaply by being complicit in the social security fraud of his employees and therefore guilty of a crime himself.
The boys sign on at the Department of Employment and then collect George's son, Snowy, on their way to an off-the-books construction job for Malloy. Much to their amusement, the conversion job turns out to be the future new offices of the D.O.E. Unfortunately, D.O.E. officials Moss and Lawton suspect their scam and are determined to catch them in the act. Ineptitude on several sides, however, leads to tragedy.
In desperation to feed and clothe his four children, Dixie takes an illicit job as a night security guard at the docks. He soon discovers that one man alone on a ship at night can do nothing but turn a blind eye to a gang of pilferers but, if the missing goods are noticed, what will he tell his boss, whose small security company is struggling to survive? Meanwhile, the petty bureucrats at the D.O.E. launch an undercover operation, and Dixie's wife Freda is too frightened to open the door to the house.
Pending the outcome of the moonlighting enquiry, Chrissie's dole money has been stopped, and this precipitates a showdown with his wife, Angie. Meanwhile, at the D.O.E., middle management is completely out of control since the Manager, Miss Sutcliffe, has more important things to worry about than running her department. As Chrissie and Angie's row reaches its climax, violence erupts.
Yosser reaches the end of the line as the utility men, rent collectors, and social workers invade his home. Why on earth doesn't he turn his three small children over to his estranged wife, Maureen, rather than let them be taken into care?
As George's health declines, his belief in the values of Old Labour remain unshaken. Chrissie takes him for one last tour of the now-abandoned docklands where he once worked, and they have what may well be the most important and heartfelt conversation of their long friendship.
Bernard Hill remembers Boys from the Blackstuff, Alan Bleasdale’s iconic drama, which is being shown again as part of the BBC’s Centenary celebrations, and which was once described as ‘TV’s most complete dramatic response to the Thatcher era’. Hill’s performance as Yosser Hughes, with his ‘Gizza job’ catchphrase, captured the public’s imagination in a way that few roles have since. Here he looks back on how he got the part, why it struck such a chord, and what audiences should take from ‘Blackstuff’ today.
