Granted exclusive access to hundreds of drawings and paintings by Orson Welles, film-maker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before – through his own eyes, sketched by his own hand, painted with his own brush. Executive produced by Michael Moore, The Eyes of Orson Welles brings vividly to life the passions, politics and power of this 20th-century showman and explores how the genius of Welles still resonates today, more than 30 years after his death. Welles was one of the great creative figures of the 20th century. But one aspect of his life and art has never been discussed. Like Akira Kurosawa and Sergei Eisenstein, Welles loved to draw and paint. As a child prodigy, he trained as an artist, before a drawing trip to Ireland in his teens led to his sensational stage debut at Dublin’s Gate Theatre. Welles continued to draw and paint throughout his life, and his groundbreaking film and theatre work was profoundly shaped by his graphic imagination. When he died over 30 years ago, he left behind hundreds of character sketches, set designs, visualisations of unmade projects, illustrations to entertain his children and friends, images in the margins of personal letters, and portraits of the people and places that inspired him. They are a window on to the world of Welles, and a vivid illustration of his creativity and visual thinking. Most of these have never been made public. Now, for the first time, Welles’s daughter Beatrice has granted Mark Cousins access to this treasure trove of imagery, to make a film about what he finds there. The Eyes of Orson Welles is a cinematic essay which avoids the techniques of conventional TV documentaries. It combines Cousins’s trademark commentary with new digital scans and specially made animations of the artworks, which bring vividly to life the magic of Welles’s graphic world. These are intercut with cli