For 25 years the Polish film director Andrzej Wajda has been making some of the most exciting and boldly critical films in Eastern Europe. He was filmed in Warsaw and Cracow shortly after he had returned from the Cannes Film Festival, where he won the Palm d'Or. How has he managed, in a long career in film and theatre, not to be silenced by censorship? How does he view his films, and his obsession with Polish history, in the urgent mood of today?