King's guest for this edition is actor Dudley Moore, who discusses the following topics, among others: his work with Peter Cook and others in "changing the face of British humor"; the "potpourri" of talents amongst the group of comedians; the influence of comedian Spike Milligan; a debate between King and Steve Allen about the relative quality of American and British comics; how Moore and his associates "made the world safe" for the Monty Python troupe; his use of humor as a defense mechanism as a child; memories of his "first laugh"; his work in the 1969 London stage version of "Play It Again, Sam" and desire not to simply copy Woody Allen's performance; his frequent "gregarious" piano-playing and need to avoid tension on set; his "fun" work with director Blake Edwards; his surprise at becoming a "movie star"; landing his star-making role in "10" (1979) thanks to Edwards' involvement; his twenty-year experience in psychoanalysis and its effect on the "peace" of his life; the "little bit" of him in every role; his "vaguely dramatic" role in "Six Weeks" (1982) with Mary Tyler Moore, which was poorly received by critics; his strong interest in playing the title character in "Arthur" (1981); improvising dialogue in the "madcap" film "Micki + Maude" (1984); his early interest in the piano and need to "make his own entertainment"; his later musical endeavors and admiration of jazz pianist Errol Garner; a nerve-wracking encounter with his idol; his experience meeting Alec Guinness; his "moment of great exultation" during "Arthur 2: On the Rocks" (1988) with Liza Minnelli and realizing his great enjoyment of playing the absurd drunken character; his fondness for "low comedy"; his continued awe of other artists; and his plans to continue making "more ambitious moves" even late in his career. Includes clips from "Not Only…But Also" (1964); "10" and "Arthur."