The film intercuts documentary footage and clips from other films — notably the Stalinist propaganda film ''The Vow (1946 film)'' (1946) — with an imaginative and satirical narrative about a highly political SFRY woman who seduces a visiting Soviet Union celebrity ice skater. Despite different settings, characters and time periods, the different elements produce a single story of human sexuality and revolution through a Montage (filmmaking) effect.
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