Ghosts! Cine-recordings of the vivacious doings of persons long dead. Preservation of their memory ceases at the edges of the frame.
肯•贾科布(Ken Jacob)的《汤姆,风笛手之子》(Tom, Tom the Piper's Son, 1969),采用重复拍摄的手法,将一部1905年美国幕镜拜奥公司的影片,减化为冻结的姿态和明暗光线的残余。
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