Pédro est un sans-abri. Il veut faire un film pour comprendre le cinéma. Aya est une réalisatrice débutante. Elle accepte de l’aider. Mais Aya est en proie au doute. Que cache le projet de film de Pédro ?
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We don't know anything about PEDRO CAVEIRA : who he is or where he comes from. He's lonely and cold. In all respects, it gives the impression of wandering. PEDRO would like to understand why and how cinema awakens feelings that he never meets in real life. He wants to unlock the secrets of cinema. To better understand the mechanics of cinema, he decides to make a film, without knowing exactly how to go about it. All he has is a camera. He meets different filmmakers and asks for their help. He claims he has a scenario. All take him for an oddball and decline the proposal. All, except AYA. She's a first time filmmaker. Both intrigued and touched by PEDRO's determination, she agrees to help him. AYA explains to PEDRO that the power of cinema is first and foremost the role of the actors. She says that the actor's mere presence provides and brings up a whole universe. She quotes a name as an example: Vincent CASSEL. PEDRO takes everything she says literally. The name of the famous actor ...
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