Candyman: Day of the Dead

Daniel Robitaille powraca jako nocny koszmar Candyman, tym razem nawiedzając swoją daleką krewną, prawnuczkę Caroline, która jest właścicielką galerii sztuki w Los Angeles. Dziewczyna ma okropne sny w których pojawia się Candyman który szepcze jej by "zniszczyła mit". Do ostatecznego odejścia potrzebuje on jej - jako potomka tej pierwszej kobiety w której zakochał się i został za to brutalnie okaleczony i zamordowany. Po nie udanej wystawie, pada straszne zaklęcie i Candyman powraca. Aby skłonić ją do siebie, zabija po kolei jej najbliższych przyjaciół.

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Several years after the events of the Candyman: Farewell to the Flesh, the ghostly serial killer returns once again from beyond the grave, this time, during the eve of Day of the Dead, to haunt a Los Angeles art gallery owner named Caroline McKeever, a distant relative of the Candyman (and also Annie Tarrant's daughter) in order for him to claim her soul so she will be next to him. In the meantime, the Candyman goes about killing all those associated with Caroline (starting with artist Miguel Velasco, his lover Lena, and following with her roommate Tamara) in his usual gory ways with his hook. He also kidnaps her friend David de la Paz and makes it appear to the authorities that Caroline is the one responsible for the killings. Seasoned police detective (who is secretly prejudiced against most minorities) L.V. Sacco is murdered by Candyman while Caroline is in the car, which not only brings the whole local police department down on her head, but puts her in the firing line of Sacco's equally bigoted partner Lt. Det. Samuel Deacon Kraft, who has no intention of bringing her in alive.

Assassinatos em série aterrorizam um bairo de Los Angeles, e o responsável é o fantasma de um pintor morto há dois séculos conhecido como Candyman (Tony Todd). Todos os moradores locais acreditam no retorno do maléfico com exceção de Caroline McKeever (Donna D'Errico), que descobrirá ter um segredo em comum com o homem que utiliza um gancho no lugar das mãos.