Liz Lemon, the head writer of a live variety program's life is turned upside down when brash new network executive Jack Donaghy interferes with her show, bringing the wildly unpredictable Tracy Jordan into the cast. Now its up to Liz to manage the mayhem and still try to have a life.
Season | From | To | Episodes |
---|---|---|---|
All Seasons | |||
Specials | June 2005 | July 2020 | 9 |
Season 1 | October 2006 | April 2007 | 21 |
Season 2 | October 2007 | May 2008 | 15 |
Season 3 | October 2008 | May 2009 | 22 |
Season 4 | October 2009 | May 2010 | 22 |
Season 5 | September 2010 | May 2011 | 23 |
Season 6 | January 2012 | May 2012 | 22 |
Season 7 | October 2012 | January 2013 | 13 |
Unassigned Episodes | 0 |
Season | From | To | Episodes |
---|---|---|---|
All Seasons | |||
Specials | June 2005 | July 2020 | 4 |
Season 1 | October 2006 | April 2007 | 21 |
Season 2 | October 2007 | May 2008 | 15 |
Season 3 | October 2008 | May 2009 | 22 |
Season 4 | October 2009 | May 2010 | 22 |
Season 5 | September 2010 | May 2011 | 22 |
Season 6 | January 2012 | May 2012 | 21 |
Season 7 | October 2012 | January 2013 | 12 |
Unassigned Episodes | 8 |
Season | From | To | Episodes |
---|---|---|---|
Season 1 | October 2006 | January 2013 | 140 |
Unassigned Episodes | 7 |
Name | Number of Episodes | Dates | |
---|---|---|---|
Tina Fey | 540 | 06/27/2005 - 07/16/2020 | |
Jack Burditt | 37 | 11/30/2006 - 01/31/2013 | |
Matt Hubbard | 17 | 01/11/2007 - 01/17/2013 | |
Kay Cannon | 15 | 02/01/2007 - 02/09/2012 | |
Ron Weiner | 11 | 12/06/2007 - 04/12/2012 | |
Hannibal Buress | 10 | 05/05/2011 | |
Tracey Wigfield | 10 | 04/16/2009 - 01/31/2013 | |
Paula Pell | 7 | 04/29/2010 | |
Dylan Morgan | 7 | 11/19/2009 - 10/31/2012 | |
Josh Siegal | 6 | 11/19/2009 - 10/31/2012 | |
Vali Chandrasekaran | 6 | 01/21/2010 - 04/19/2012 | |
Donald Glover | 5 | 01/10/2008 - 03/12/2009 | |
Tom Ceraulo | 5 | 03/12/2009 - 01/17/2013 | |
Luke Del Tredici | 3 | 02/23/2012 - 11/15/2012 | |
Colleen McGuinness | 3 | 01/12/2012 - 12/06/2012 | |
Sam Means | 3 | 01/12/2012 - 01/10/2013 | |
Nina Pedrad | 3 | 01/12/2012 - 01/24/2013 | |
Brett Baer | 3 | 12/14/2006 - 04/05/2007 | |
Carrie Fisher | 2 | 10/25/2007 | |
Steve Hely | 2 | 01/14/2010 | |
Tami Sagher | 2 | 12/13/2007 - 01/22/2009 | |
Jon Pollack | 2 | 11/08/2007 - 01/15/2009 | |
John Haller | 1 | 03/11/2010 | |
David Finkel | 1 | 04/05/2007 | |
Lang Fisher | 1 | 01/24/2013 | |
Jon Haller | 1 | 04/14/2011 | |
Dave Finkel | 1 | 12/14/2006 | |
Josh Siega | 1 | 04/29/2010 | |
Lauren Gurganous | 1 | 04/05/2012 |
Name | Number of Episodes | Dates | |
---|---|---|---|
Robert Carlock | 227 | 11/01/2006 - 01/31/2013 | |
John Riggi | 70 | 10/25/2006 - 10/31/2012 | |
Jeff Richmond | 66 | 04/29/2010 - 01/31/2013 | |
Don Scardino | 40 | 11/16/2006 - 11/15/2012 | |
Beth McCarthy-Miller | 27 | 01/11/2007 - 01/31/2013 | |
Michael Engler | 12 | 01/04/2007 - 10/18/2012 | |
Gail Mancuso | 8 | 11/01/2006 - 01/14/2010 | |
Steve Buscemi | 8 | 01/22/2009 - 02/23/2012 | |
Ken Whittingham | 6 | 03/12/2009 - 01/10/2013 | |
Adam Bernstein | 5 | 06/27/2005 - 02/15/2007 | |
Stephen Lee Davis | 3 | 03/18/2010 - 03/29/2012 | |
Millicent Shelton | 2 | 03/26/2009 - 03/25/2010 | |
Claire Cowperthwaite | 2 | 03/22/2012 - 01/17/2013 | |
Scott Ellis | 2 | 12/14/2006 - 04/30/2009 | |
Linda Mendoza | 2 | 04/12/2012 - 12/06/2012 | |
Tricia Brock | 2 | 03/19/2009 - 01/20/2011 | |
Todd Holland | 2 | 02/05/2009 - 10/21/2010 | |
Dennie Gordon | 1 | 03/08/2007 | |
Constantine Makris | 1 | 02/26/2009 | |
Michael Slovis | 1 | 03/01/2012 | |
Paul Feig | 1 | 04/19/2007 | |
Jamie Sheridan | 1 | 10/25/2012 | |
Juan José Campanella | 1 | 11/30/2006 | |
Adam Berstein | 1 | 10/25/2006 | |
Kevin Rodney Sullivan | 1 | 04/10/2008 | |
Richard Shepard | 1 | 01/10/2008 |
Name | Number of Episodes | Dates | |
---|---|---|---|
Lorne Michaels | 138 | 10/11/2006 - 01/31/2013 | |
Marci Klein | 138 | 10/11/2006 - 01/31/2013 | |
David Miner | 138 | 10/11/2006 - 01/31/2013 | |
JoAnn Alfano | 36 | 10/11/2006 - 05/08/2008 |
No lists.
The best shows are the ones that take advantage of the length that movies don't have and use the imagery that novels can't conjure. They can captivate big audiences and change their lives forever.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
IGN and some of our friends have decided the best in the world of TV.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
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